What is this?
There's a legend about Charlie Parker, the greatest saxophone player to ever live. He showed up to a jam session, didn't know the changes, and was laughed off stage. He went home and practiced in his woodshed for like 15 hours a day for the next few years. When he returned to the jam, he was the greatest saxophone player in the world.
Since then, "shedding" has come to mean dedicated, isolated practice. PRACTICE TO GET GOOD!!
This page will be a practice diary, musical sketchbook, and dumping ground for musical ideas. Music on this page won't be finished or polished, but it's whatever I'm working on!
The Workbench
Sunny Side of the Street - 3/30/2026
The weather is getting nicer, so I decided to start learning the jazz standard "Sunny Side of the Street" in honor of the sun being out. Louis Armstrong's version is the most famous rendition the song, but I really like Dizzy Gillespie's arrangement, and that's kind of what I was going for. Dizzy released it as a bit of a pun since it features both "Sonny" Rollins and "Sonny" Stitt on tenor sax, and the album is called "Sonny Side Up."
Backing from Backingtracks JAZZ
I think I've got the basic form of the song down, but I need to keep critically listening and transcribing Dizzy's recording (that's how you learn jazz!). Listening back, I need to work on my articulation a lot. Both Sonny Stitt and Sonny Rollins really make certain notes POP which I haven't yet mastered. I could feel myself a little out of tune on some notes towards the end too, bleh. Once I transcribe more of their solos, I'll be able to play faster some of the faster passages I attempted.
One Day Challenge: Acoustic Chrono Trigger - 3/19/2026
This morning, YouTube recommended me a a video by Cadence Hira about a melody used in a bunch of (mostly Japanese) video games. It's a fun watch, even if you don't know about music theory.
Anyway, the video starts out discussing the Secret of the Forest Theme from Chrono Trigger. I always loved that theme, and it got my brain going. I recently got a xylophone, could I use that to make an acoustic version of this? And, a challenge: arrange and record it in one session after work!
For a few hours of work (including arranging the parts, though thankfully VGLeadSheets gave me a good foundation), I'm pretty proud of it, but there are some things I'd change if I had more time. For one, I don't think saxophone works here very well. My playing was fine, but, especially without a low-end bass/rhythm section tying things together, it kinda sticks out too much. Also, this is the first time I've picked up my flute in a couple months, and I FORGOT how much air it takes! Waaaay more than a tenor sax! Flute isn't a priority for me right now, but I need to practice it more.
I do love the way the xylophone came through, though! I think it would sound really nice if I doubled the sax parts with xylo to give it a little more oopmh. And maybe layer in some more flute drones to fill things out a bit more too.
Maybe I'll return to this one day!
Welcome to "The Shed"